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The kettle which had been boiling itself hoarse for the last hour, was now called into requisition.,

“I didn’t—I haven’t washed. I’m—” All at once as Billy walked through the tiled entrance, and felt himself in the midst of splendors he had viewed only from without, he was overcome with the suspicion that he looked rather queer beside the immaculate Doctor. He knew his hair “stood up all ways for Sunday”; and his face must be dirty. “But they won’t know how dirty,” he reflected; “this is[211] the time them plaguey freckles’ll get in an’ hide the dust.” Freckles were Billy’s sorest point.,

The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged.,

“O Billy!” Jean gasped, fear for the little, delicate girl in that eery place lending sympathy to her voice.

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Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions.,

Fer our reapin’ bye ’n’ bye.”,

The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising.,

“Just in time, I reckon,” the Sheriff said[219] facetiously; “pull up that chest and come along to our party.”